Kristian Donaldson. Comic book artist and illustrator.
WWW.KRISTIANDONALDSON.COM


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May 16, 2012
@ 4:19 am
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Taken with instagram

Taken with instagram


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May 11, 2012
@ 6:20 pm
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Slow is the new Fast.  (Taken with instagram)

Slow is the new Fast. (Taken with instagram)


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Apr 21, 2012
@ 4:44 pm
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More… (Taken with instagram)

More… (Taken with instagram)


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Apr 21, 2012
@ 4:28 pm
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From The Massive. I am not messin around. (Taken with instagram)

From The Massive. I am not messin around. (Taken with instagram)


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Feb 1, 2012
@ 1:20 pm
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Brian Wood: THE MASSIVE "North Sea 1995" »

Brian Wood talks about our project, THE MASSIVE which debuts in Dark Horse Presents #8 today!

brianwood:

The first of the three MASSIVE short stories hits stands today, within the pages of Dark Horse Presents #8. Some basic info:

.Dark Horse Presents #8-10 will each have a MASSIVE story, 8 pages in length, giving you background on the three main characters, as well as a bunch of world-building.


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Jan 31, 2012
@ 4:23 pm
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my work is featured on io9! it’s a cover process discussion with Brian Wood, where he talks about the creation of this cover. http://io9.com/dark-horse-comics/

my work is featured on io9! it’s a cover process discussion with Brian Wood, where he talks about the creation of this cover. http://io9.com/dark-horse-comics/


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Dec 23, 2011
@ 3:33 pm
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Double page spread from Dark Horse Presents #8. 

Double page spread from Dark Horse Presents #8. 


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Dec 23, 2011
@ 3:30 pm
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Dark Horse Presents #8 cover, featuring THE MASSIVE.

Dark Horse Presents #8 cover, featuring THE MASSIVE.


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Dec 6, 2011
@ 2:56 pm
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The Digital Question Mark. my own 1.99 cents.

earlier today, Brian Wood, the writer of the comic i’m currently drawing for Dark Horse, “The Massive”, published this Tumblr post. take the time to read it.

The Massive debuts in January in Dark Horse Presents#8. it’s the first of a three part prequel story, and then the ongoing series debuts in June. that’s just a little bit of background.

I share Brian’s sentiments regarding the state of affairs. As an artist and a black belt level daydreamer, i have my own ideas about where things could go..

the physical single issue might go away. It’s possible that the serialization of comics will become increasingly digital, with comic shops dealing in “books of a certain size”. trades, art books, etc. there are still plenty of goods both paper based and durable to fill the shelves of a forward thinking comic book establishment. load those up with production art, interviews, etc.

it would be interesting to produce and distribute serial installments of comics digitally more like a season of television. buy single installments on the cheap, or buy a “season”. then buy the premium trade from the shop.

you can’t put technology back in it’s box. some publisher is going to have to be the first to do a lower digital price point. it’s inevitable. Things are changing. i find myself drawing a vertically oriented comic page, and picturing the day in a few years when that fucker turns sideways for Ipad viewing, or we start drawing pages with perfect 1/3 tiers for easy scrolling. things are going to change, in the business, and the artform. I think the vital thing is to make the distinction between the digital serial installment, and the physical collected volume. Two designations of product, with two pipelines of distribution. Where does this leave the physical single? I don’t know, I find myself buying less of those nowadays.


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Dec 6, 2011
@ 1:51 pm
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Brian Wood: The digital question mark »

brianwood:

Everyone I know loves comic shops. Everyone I know who makes comics, especially creator-owned comics, is hurting, financially. EVERYONE is bleeding, its a bad time. So to what extent does digital as a publishing format represent an additional revenue stream, one on top of print sales through…